Hello! So this is a bit of a new section on the blog. I originally wanted it to be part of my Take Two! posts, but I felt like they would get lost in the sea of anime. This segment is similar to Take Two! the difference is the content. I’ll be showing articles on art, architecture and design. I figure it’d be a great way to introduce you guys to a bit of my world outside of anime. I hope you enjoy it! Continue reading
Author’s Note: I’m still technically on my break, but it was important for me to at least write this piece today
My full Architectural side is bound to come out from time to time. With that being said, today serves as a great reflection of the career path I’ve chosen and the field of work that I’m so absolutely passionate about and love.
It’s hard to believe that today marks a full year since we lost one of the most influential Architect’s of this generation. She wasn’t just influential in terms of design; but as a woman holding her own in a very much still male-dominated profession. I looked up to her because of her avant garde way of thinking of architecture: the active use of emerging technologies, parametric design strategies and the use of the curve to create such eye-stimulating architecture.
There are several things I want to talk about in this post, and I’ll designate them as such, as I go. I’d like to appologize in advance for any archi-speak (architecture jargon) that may arise from this post that could possibly fly over anyone’s head.
The Architect & The Woman
Dame Zaha Mohammad Hadid, an Iraqi born British Architect was the first woman to win the Pritzker Architecture Prize in 2004. Elizabeth II, gave her the title Dame for her services in architecture as well. She’s won many other awards in the UK, and was the first woman to be awarded the Royal Gold Medal from the Royal Institute of British Architects.
Zaha is often hailed as the “Queen of the Curve” due to her expressive use of curves in her designs. When she won the Pritzker prize one of the jury member’s had this to say about Zaha:
At the same time as her theoretical and academic work, as a practicing architect, Zaha Hadid has been unswerving in her commitment to modernism. Always inventive, she’s moved away from existing typology, from high tech, and has shifted the geometry of buildings
– Lord Rothschild
She wasn’t acknowledged right off the bat. Her career mostly focused on her lectures and her colorful and radical early designs that she presented as paintings. Her work was featured and published in many architectural journals and mostly remain unbuilt.
However, despite that, Zaha has a full body of work that has spanned from 1991 – present. Before she had died she still has a number of projects that she had a hand it that are still under construction. Zaha’s work is all over the world. A few of her works include: the aquatic center of the 2012 London Olympics, Guangzhou Opera House in China and the Heydar Aliyev Center in Baku, Azerbaijan.
“I think about architecture all the time. That’s the problem. But I’ve always been like that. I dream it sometimes.” – Zaha Hadid
The above quote is one that has resonated with me a lot. Mostly because if you know me and have spoken to me quite extensively I can get pretty geeky, obsessive, passionate about Architecture. I think about things architecturally and that’s just something that comes hand in hand when you love this field. My strengths in architecture rely on analysis, research, theory and history. If you present me an idea or a project I’d probably be able to direct you to a theory or a project that flows along the same idea or path. During the summer I’m a teaching assistant at a local community college for an architectural model making class and in the fall I teach a Digital Tools class to help students put together portfolios for college applications. Whenever a student shows me their rough sketch model of put together objects or even a simple drawing, my first instinct as I start critiquing their work is to pull out my phone and start showing them architect’s that have a similar aesthetic or similar design concept to what they have in mind, at least they can understand what that architect attempted to do and use that as a basis for understanding with what they’re trying to convey with their building.
I love finding the links between architectural styles and architects. The commonalities of thinking that each of us possess as there are no longer “original” ideas when it comes to architecture. Now it’s about taking those ideas and expanding them, and those possibilities can be infinite. One’s interpretation of a specific theory or idea always leads to you down several paths, and you can see that in any architecture student’s thesis project. My thesis was looking at the “hard edge” of a building, or a corner. Buildings are defined by lines and hard edges, 90 degree corners. What I aimed to do was to create architecture that wasn’t so definitive in those terms. Ethereal architecture, a building without edges, sounds crazy right? You’d be surprised by the amount of case studies I’d gone through that explored that idea! Or another beloved topic of mine that I love to talk research and read up on is masculine and feminine characteristics expressed in architecture whether that be through material or actual building design
By the way, if your’e every interested in knowing more about my thesis or anything else of my architectural world I’d be more than happy to tell you, or if you guys like I could post more about it! Just let me know in the comments below!
The State of Women in Architecture
While I reflect on what Zaha has done for the profession in advancing design; I couldn’t help but remember the negativity that is also attached to her name. I remember in school, we would often talk about how she was overrated with her designs. We also had the tendency to talk badly about her personality, that she was somehow “bitchy” because of her overwhelmingly strong headed personality. But when I think about these things, something hit me like a ton of bricks. Why are women in this profession so bent on tearing one another down versus helping each other out? I’m not saying ALL women are like this, but there’s fair amount of them, based on my experience.
Would they call me a diva if I were a guy? – Zaha Hadid
Zaha poses a great point in this quote. Just because she’s a strong independent woman she’s considered a Diva or a bitch. But if you were to attribute that to a male? There would be no name-calling. I often feel like femininity is often called into question when you’re in a male dominated profession. A lack of feminitity could label you as butch or even question your sexual orientation and that could actually possibly help you because then you’d be like one of the guys right? But what if you like to express your femininity whether it be make-up, fashion, hair, I feel that if you’re worried about your looks, they won’t take you seriously. A 2016 survey had this to report:
“Nearly three-quarters (72 per cent) of women worldwide say they have experienced sexual discrimination, harassment or victimisation during their career in architecture” 1
These thoughts instigated me to talk to my partner in crime/future business partner about the topic and had quite the animated discussion about what it means to be a woman in this field. The discussion brought me to express my discontent of the seemingly lack of unity I’ve felt from fellow women while I was a student in this school. While at school, I had the privilege of having some pretty kick ass women professors that I admire. But, there were a handful of women teachers that frustrate the heck out of me when I think about them still. They were unapporachable and unwilling to really talk to majority of the female students.
Women are always told, ‘You’re not going to make it, its too difficult, you can’t do that, don’t enter this competition, you’ll never win it,’ – they need confidence in themselves and people around them to help them to get on. – Zaha Hadid
I’m not saying that they should give us special treatement because we were women, but the fact that there was no support from them really infuriated me; they were more condescending than helpful. I feel that they as educators and as women that has already dealt with the hardships of the struggle that we already face in this field that they should be more empowering to their students. But as my friend put it, “it’s because we were taught to fight for our positions in this field. We didn’t have the freedom of men who always get support in different positions. They think that by becoming mean that it’ll help other women stronger.” I get it, the tough love aspect, but I’m not asking for sympathy or to be treated special because of my sex. I had expected to find a mentor in these women; women I could look up to and ask for advice when faced with a situation but instead was met with women who were only out for themselves.
I used to not like being called a ‘woman architect.’ I’m an architect, not just a woman architect. The guys used to tap me on the head and say ‘you’re OK for a girl.’ But I see an incredible amount of need from other women for reassurance that it can be done, so I don’t mind anymore. – Zaha Hadid
The same study shows that worldwide, more than one in five women would not recommend a career in architecture to other women.1 To be honest, I’m not entirely surprised. It’s hard to be a woman in this field. I can’t tell you how awkard it is to go on a site visit and be one of the only females there or what it’s like to sit in on meetings with consultants and be surrounded again by men. Part of you will always feel like they won’t take you seriously. It’s a daily struggle, but it’s something that won’t ever deter me from accomplishing my goals.
You would be surprised at the alarming amount of gender inequality that women are faced with in architecture. It’s an ongoing discussion and it’s hard to say if there will be any changes. Especially when a study a few years ago showed that there was a drop of women in the field. The above infographic depicts the that 3 of 20 licensed Architect are women. That’s such a low number. It’s not easy to be licensed, as someone that’s about to start her journey into the realm of licensure, it’s no easy task. A lot of the women at my office have gone through the testing and are so close to being done, and yet their not. Why you ask? Life happens; the ladies at work had to suspend that aspect of their career because they chose to have family and kids first. I applaud them for being able to balance work/life with the type of work that we do. But because they paused at that point, it’s been hard for them to get back on track to accomplish the one thing we’re all striving for: our license and stamp.
I may never reach starchitect status like Zaha, but I will fight for my place in this field. And as such a struggle as it is, I would always encourage women to follow and fight for the things they want; there are women out there that have the exact same goals as you. So if and when I become a licensed Architect and an educator, I will always strive to push my students and empower them the way I would’ve wanted to be.
The world needs more women architects. Actually, the world needs to ACKNOWLEDGE more women architects. But I think I may have to save that topic for another day.
Thanks for reading! Any comments? Questions? Let me know in the comments!
Finally, I’m trying to breathe back some life into my Architectural posts.
This is the last post concluding my SAO themed week. This week I’m looking at Season 2’s Excalibur Arc for it’s architectural aspects. You might have seen my analysis of ALO’s City of Arun in a previous post. ALO is specifically named after one of the races in Norse Mythology, Alfheim, the race of the light fairies. Other races found in ALO are not as specific to Norse Mythology.
After doing some research, I think it’s really interesting how ALO over all is based on Norse Mythology. I also, like how well it’s been depicted. In the ALO verison of Thrymheim, it is a floating inverted pyramid that is located underneath the base of the world tree, in another world called,Jotunheimer, the land of giants.
Thrymheim is divided into 4 levels. Each riddled with an array of varying passages and rooms carved out of the ice pyramid. The fourth floor is mostly the boss dungeon.
The mythology of Thrymheim according to ALO:
Once upon a time, the king of the frost giants in Niflheimr, named Thrym, transformed into a wolf and infiltrated Jötunheimr. He then stole the Holy Sword Excalibur, forged by the blacksmith god Völundr, and threw it into Urðr’s Spring at the center of Jötunheimr. The sword severed the thick roots of the World Tree in the spring and, at that moment, Jötunheimr lost the blessings of the World Tree, becoming a desolate world of frost. The water of the Urðr’s Spring froze, as it was pulled up by the shrinking roots, thus forming a bottomless pit, the Great Void, where Urðr’s Spring once was, while the frozen water became a huge mass of ice, with Excalibur stuck at the bottom-most part of the ice mass, and half pierced into the crust of ALfheim.
Thrymheim translates to “Thunder-home,” a castle that was located in the highest mountain peaks of Jotunheim where the snow never melted; it was considered to be one of the few strongholds of the world, and owned by a giant by the name of Thiazi. The castle is the only building in the kingdom of Thrymheim that is made solely out of ice, which is probably why in ALO it’s a crystal pyramid.
From what I’ve read, the entire excalibur arc is based on a particular story found in Norse Mythology. However, SAO has jumbled two stories together and I think this was done purposely in order for the viewers to be able to relate to the content a little more. The story goes as follows:
Thiazi once abducted the goddess Idun, and in Thrymheim, he held her captive, causing the gods to age until her rescue, in turn resulting in the death of Thiazi.
Thrym was king of the jotnar. In one legend, he stole Mjolnir, Thor’s hammer to extort the gods into giving him Freyja as his wife.
Thrym was foiled in his scheme by the gracefulness of Heimdall, the cunning of Loki, and the sheer violence of Thor, who later killed Thrym, his sister, and all of the jotnar kin that had been present at the wedding reception.
In the excalibur arc, we saw that the final boss was Thrym, who was holding Freya captive (like Thiazi to Idun), while also being in possession of Mjolnir. But when Freyja touches Mjolnir, she turns into Thor to kill Thrym. This all happens in Thrymheim, which is not Thrym’s home at all. It’s a bit confusing, but thats the how mixed up the mythologies became!
That about does it. This was relatively short; but don’t worry I’ll be back with even better content! I kind of wanted to just use images for this one.
That concludes unofficial SAO week here at Archi-Anime! As always, thanks for reading! Did you like what you saw? Have any other comments or questions? Also, if you have any think you’d like to me to look into architecturally in an anime I’m more than willing to take suggestions! I’d love to hear from you in the comments below!
Yet another Sword Art Online blog post for the week! This comes from episode 25 of Season 2 of titled “Mother’s Rosario“.
Asuna is on a tour in Kyoto, there were a few places I’ve actually been to that Asuna went, but I just want to focus on this particular place.
Asuna and the gang are visiting Kiyomizu-Dera Temple, in Kyoto, Japan.
The Kiyomizu-dera Temple is an independent Buddhist temple located in Eastern Tokyo. It’s actually a complex for several shrines and other points of interest; but this temple is the most popular on site.
It’s surrounded by greenery and is so beautiful in all seasons. The temple is part of the Historic Monuments of Ancient Kyoto (Kyoto, Oji, and Otsu cities) UNESCO World Heritage site. This temple was founded during the Heian period, and it’s present building (seen) was built in 1633, by Tokugawa Iemitsu, the third shogun of the Tokugawa dynasty. The name is taken from the waterfall within the complex. Kiyomizu translates to “pure water” or “clear water”.
No nails were used to build this structure, and the main hall is one large veranda supported by tall pillars that protrude out over the hillside boasting great views of Kyoto. The large open spaces were built to be able to accommodate the mass amount of people on pilgrimage. Beneath the main hall is the Otowa waterfalls, which are divided into 3 streams; in which each stream’s water is supposed to have a different benefit: longevity, success at school, or a fortunate love life. Visitors can drink from the stream but it’s said that if you were to drink from all three you’d be considered greedy.
In the map below, you’ll be able to see the location of this historic place. You’ll notice little symbols that will look kind of odd to you as they are similar to the swastika symbol. The symbol has a complex history, but in Japan you’ll frequently see these symbols to be an indicator of Buddhism; hence it is a Buddhist Swastika.
Thoughts on Kiyomizu-Dera Temple? Have you been able to visit this place before? Also, if there are any other anime’s you can suggest that might have some interesting architectural features either for my ANI-Reality or Fantasy Friday posts, please don’t hesitate to send them my way! I’m always looking for new shows to watch!
This post originally started off as an Fantasy Friday post, but as I continued to research it, it showed up to be based on an existing government building in Japan, forcing me to shift it to an ANI-Reality post.
There’s a few things about K or K: Project that I really love. Animation is probably at the top of the list because of it’s use of color and ephemeral qualities induced by the color palette. Story is kind of iffy but enjoyable nonetheless. Sound is great too, and the character’s are pretty awesome. Especially Munakata Reisi: The Blue King, which leads me to today’s topic ANI-Reality feature: Munakata’s domain, Scepter 4 Headquarters.
Munakata is in charge of the Blue Clan, Scepter 4, or it’s official name, “Tokyo Legal Affairs Bureau, Civil Registry Department, Annex 4”. This is where Scepter 4 resides and congregates before they are dispatched out to deal with any of the clans as well as manage a registry of those with supernatural abilities.
The headquarters of Scepter 4 is actually a building that appens to be found in Yamagata City, in Yamagata Prefecture. The building is called the “Bunsyokan Yamagata”. It’s a typical Western-style building that is two stories high comprised of white bricks and a green roof. Western-style is often referred to as a European style in the architectural world. This was a typical style of the Taisho period spanning from 1912-1925. It’s been labeled an Important Cultural Property since 1986. The building houses an exhibition of cultural history of the Yamagata prefecture.
The first floor of Bunshokan has an assembly hall and two meeting rooms, 8 galleries where for rent that and various events are conducted. The Bunshokan also has a garden with a green lawn and flowers of various colors which serves as a space for relaxation.
After looking up the Taisho period, I can’t help but giggle that those of the Scepter 4 clan are inspired by the Taisho period; especially the types of clothes that they wear compared to what was worn back then as well.
I may have to add this to my bucket list of buildings to see! Have any of you had the opportunity to see such a place? What do you think of the building?
One thing is for certain as I make my list of cool buildings for Fantasy Friday, is that most of the anime’s I’ve watched have incredible school campuses. Ouran High School is just one of the few that really caught my eye. Ouran is such a classic anime for me. It’s one of my favorites, and I’m completely butt hurt that Netflix decided to remove it from their list of anime. *sigh* But thankfully, Funimation has it up on their site. I actually have a few more posts where architecture and ouran is concerned; I still need to do a bit more research but I’m really excited about those posts! It wouldn’t be considered Fantasy Friday and it wouldn’t be ANI-Reality either. Those belong to a category of their own and will most likely be published as a Sunday Special where there is no real specialized theme-but more on that at a later date. Without further ado….
“Welcome, we the Ouran Host Club will see you now”
The Ouran High School Campus looks inspired by mid-ninteenth century Paris, France. The style of Architecture during that time frame was called “Beaux-Arts” or “Fine Arts”. This particular style had a sculptural quality to it, and dealt a lot with symmetry and classical references to Greek and Roman Architecture. There are 3 buildings in which Ouran is inspired by: Romes’ St. Peter’s Basilica, England’s Buckingham Palace, and Paris’ Place de Concorde, as shown in the images above.
The garden is also an architectural reference to the French Formal Garden of the 18-19th century. A great example of this would be the Gardens of Versailles, found in the Palace of Versailles. The french formal garden consisted of a rigid symmetry of pathways which enforced the idea of imposing order on nature, as shown in Versaille’s plan shown in the middle of the above photo. The french garden’s history stems from that of the Italian Renaissance Garden which is often characterized with: symmetrical patterns, geometric shapes, and the use of fountains and other water features that gave the garden some movement. Often times gardens would be done at different heights and levels, in which all the pathways would cross up and down through the garden. The gardens were meant to express the ideals of the Renaissance and the ideals of Ancient Rome.
The interiors of the school also carries the theme of the mid-ninteenth centuy motif. Grand staircases, Symmetry, classical architecture (greek/roman), arched windows and it also borrows from the 19th-century Gothic Revival style with the use of the Gothic vault shown in the second photo above. I find a lot of these images to be similar to views shown in the Palace of Versailles as well – which could have very well been another source of inspiration.
I find the use of mid-ninteenth century Parisian aesthetics amusing because what other style best represents the qualities of the rich, wealthy, and extravagant? I also find the parallel between Tamaki’s heritage to that the school’s aesthetic to be interesting as well – but that’s being saved for another post ;). Classical architecture was the launching point for my architecutral interest; especially the gothic revival style. I went to a gothic style cathedral as a kid and was completely blown away by how amazing it was. I was in awe of it’s beauty…of the pointed arches, columns and stained glass, but I was also scared and terrified of the dark spaces and the gargoyles. However, what really drew my interest was the light that filtered in through the dark space I was mindblown by the beauty of it all. I was so inpsired by that feeling …that well..the rest is history so to speak. That one moment lead me to my career and appreciation of theory and analysis of that one moment. Till next time!
“The Ouran Host Club will be waiting for you…
We’ll see you then.” – Ouran High School Host Club
Architecture is a rather broad umbrella (it’s a topic I’m probably going to address in another post). Looking at buildings is one step while looking at the context of the building is another. In looking at the context we look at the city, and the urban landscape and how the building interacts with those things. For example, a city skyline, and the way people move around that area of the city are a few things to consider. So with that said, since I looked at a building last week, this week I wanted to look at a city.
This week, I’m looking at one of Sword Art Online’s various world’s. Specifically ALFheim Online’s (ALO) City of Arun(Alne). Arun is located in the center of ALO at the base of the world tree and is considered to be the captial. It’s the main area for advanced dungeons in the area and acts as the main marketplace in which all races can visit. Arun is so large that it’s divided into 5 parts: North, East, South, West and Central. The World Tree Dome is in the center, while there are dungeons located in the other 4 locations. There are many references to Norse Mythology in ALO, so I started to look into related topics, for example: Norse Architecture, which led me to dig up information about Viking Urban Planning. Aside from your regular towns, Vikings created ring-shaped fortresses known as “trelleborgs”. These circular citadels consisted of outer circular walls that with ditches in front, and four gates at the 4 compass points and 2 axial roads that divided it and linked the gates to one another. Those quadrants were then filled with long-houses that were arranged in a rectangular pattern.
I thought it was interesting to compare the old fortress plan to that to that of Arun. Arun is at the center of the ALO world, and as shown in the photo its enclosed by a mountain range. Although, Arun is supposed to be neutral ground for all the races within the world, I thought it was interesting that it was so well protected from the rest of the nations; but it makes sense, this is the core of the world and it must be protected. Although there are no definitive streets that divide up Arun, it had been divided into the quadrants, and instead of the gates at the each compass point, it was replaced with some of the most dangerous dungeons in the area. It’s quite a contrast for the purposes of these 4 points, in one way it serves as an exit out, wheres in ALO’s world they serve as entrances.
The overall composition of Arun reminds me of a chapel that was recently built in Japan. The Ribbon Chapel (by Hiroshi Nakamura & NAP Architects) is a part of a resort in Onimichi, Hiroshima. The wedding chapels’ design intent was to create two sprial staircases that intertwined creating a free-standing structure that symbolized what marriage is: two people that starting on two different paths ultimately converging in on one point in which they unite. The curvature of the building reminds me of the large pieces that come up from the landscape of Arun. The cruves in Arun then slowly twist from a vertical position to a horizontal surface as it merges into the ground. The chapel doesn’t do it as fluidly as Arun does, but the cruving pathway in the back creates the illusion of unfolding into the ground. I feel that the pathway to a destination should reflect some kind of element of the architecture; it could be similar or completely different. Not only does it allow for a cohesive design; but allows for better integration into the surrounding context, which in this case is the landscape.
Overall I think the city of Arun is beautiful as I’m in love with the use of lines and curves, much like a mobius strip. Not to mention it’s pretty whimsical just looking at it. I thought it was pretty cool I was able to find a connection of the Norse mythology used in the world of ALO to that of Viking Urban Planning that was actually used in reality. Research is fun! That about does it for this Fantasy Friday! I hope you enjoyed this post and look forward to any comments you guys may have!
Welcome to Fantasy Friday in which I will look at fantastical pieces of Architecture found in the anime world. These posts will probably vary on length depending on if and what I am able to pinpoint as relevant as well as what I find myself drawn to. This will mostly be Architecture Eye Candy; as someone that’s been trained in design, theory and as someone that loves history and research; sometimes I find it easy to find a precedence or correlation from the anime to something that’s real and tangible.
What I love about architecture in anime or any kind of animation or CGI scene is that there are no limits to what can be created; things can be overly exaggerated which makes it so fantastical – like you’re in a dream world. And I’m all about outrageous designs!
To kick it off, I wanted to look at Blue Exorcist’s True Cross Academy. It’s been awhile since I had watched the anime. I had decided to re-watch season 1 on a whim because I wanted background noise while I worked on my computer (this was before I even knew that season 2 was coming). The moment True Cross appeared on screen, I immediately thought I should make a blog series out of this!
True Cross Academy reminds me of an MC Escher painting. A complex puzzle of sorts that loop infinitely. Granted, at least the Cram School is designed that way, with the use of a key that can open up a door that leads to almost anywhere on campus.
Since Blue Exorcist deals with themes of christianity, and there’s some mention of the Vatican, it only made sense for some of the Architectural elements to have some Italian inspiration. For instance, the Entrance hall of True Cross looks similar to that of a Milan Shopping center in Italy, more specifically: Galleria Vittorio Emanuele II, located next to the Piazza del Duomo (Cathedral Square) next to the Duomo (milan cathedral). This space is bascailly an arcade that is roofed with arching glass and cast-iron roof, which was popular in the 19th century.
The Dining Hall to me actually reminds me of two things. First, it looks much like the apse or knave of a cathedral (the rop right photo). Vaulted ceilings are the dead give away. The second thing it reminds me of is The Great Hall that’s featured in all of the Harry Potter films. Now, Harry Potter came first (2001), so it’s quite possible it served as an inspiration to Blue Exorcist(2011).
This is just an image of the cram school within the campus grounds of True Cross. However, it’s location isn’t really known, and is only accessible with a certain kind of key. I couldn’t think of any architectural inspiration for this particular space. The layout is similar to that of a knave of a cathedral like the dining hall above. The only thing to notice is the color palette. It has bright vibrant colors but is also shrouded in darkness which is an indication it’s somewhere underground. The color palette also helps differentiate this place from all the neutral tones that are found in the “normal” places found throughout the campus.
That’s all she wrote for this Fantasy Friday. Hope you guys enjoyed it! If you guys have a particular anime you’d like me to look at, let me know in the comments below! I’m always open to suggestions!
Ever since episode 10 came out I’ve really been wanting to write this post. Not only did this episode have Viktor narrarating it; it had many of us fangirling over Viktor and Yuri’s ring exchange as well as the epicness of the pictures/video of Yuri at the ending credit sequence. But a lot of my own fangirling came from the amount of Architecture that was featured in this episode!
Europe holds some of the most fascinating pieces of architectural history. Heck, Europe’s rich history of architecture is kind of what drew me into this career to begin with. There were quite a few masterpieces featured in Episode 10 in the city of Barcelona, which has been on my bucket list of traveling for as long as I can remember. One day though, one day.
Most of Barcelonas’ Architecture featured was designed by prominent Architect Antoni Gaudi. Gaudi was the best known practioner of Catalan Modernism. A movement in art, literature, but mostly expressed in architecture. His passions in life included: architecture, religion and nature. He drew inspiration mostly from nature as he was obsessed with organic forms, which is showcased in his work. He also wasn’t much of a pen and paper guy when it came to visualizing his ideas. He truly worked with sculpting and building scale models.
To start off this whirwind of architectural features, our beloved Phichit takes a selfie and so does Viktor and Yuri, in front of Sagrada Familia, Gaudi’s final masterpiece. Gaudí wanted to construct a building that would make an impact on the skyline, but also show his respect for the work of God, which in his opinion should never be superseded by man. La Sagrada familia is a mix of two architectural styles: Gothic and Art Nouveau. The premliminary concept of the Sagrada Familia is quite interesting, he used a Funicular Model, in which he would suspend metal chains and weights from the ceilings to create catenary curves that would when flipped upside down would result in an optimally designed arch that distributes the weight. He would actually hang chains from chains creating a very fluid design. Construction on La Sagrada Familia started in 1882; Gaudi took the lead designer position in 1883 after the previous architect resigned. The construction of the church has been slow as the funding for it comes from private donations, and was put on hold during the Spanish Civil War. Only a quarter of the construction had been completed at the time of Gaudi’s death in 1926, and construction had met its halfway point in 2010. It’s expected to be completed in 2026.
When Viktor and Yuri are out shopping and being tourits; in the background we see Gaudi’s Casa Batllo located in the center of Barcelona. It’s facade (face of building) is decorated with a mosaic of different colored broken tiles. The local name of this building is Casa Dels Osos (House of Bones) due to the organic quality of some of the elements.
In the scene where Otabek and Yurio escape his fanclub they go somewhere and have a talk on the roof of the building. This is actually Gaudi’s Park Guell: a public park encompassing many architectural elements and different gardens. The park is currently listed under UNESCO’s World Heritage Sites. Park Guell culminates Gaudi’s personal style inspired by organic natural forms. He also put into practice a structural system that came from his study and understanding of geometry, creating a multitude of forms and volumes, as well as spaces that were from the rigid rationality that is most often found in classic european architecture.
In one of our favorite scenes, our favorite couple exchange rings in front of The Cathedral of Barcelona. This cathedral, like most cathedrals in Europe are of the Gothic architectural style. This wasn’t designed by Gaudi, but I felt it was important to include this one as it was a pretty touching scene – exchanging rings as the church bells ring. *swoon* I feel like this was probably included as significant to the history of spain as the Archbishop of Barcelona sits here. The church was built in the 13th to 15th centuries and new facade was built in the 19th century over the exisiting facade.
Typically I would point out on an interactive map where this would be located but since I featured so many buildings that I have to do a screen shot of where they are relative to one another:
I hope to make it out to these places and get my own photos! Not sure when I’ll plan it, but it’ll happen in this lifetime. Have you guys seen these places? If there were any other buildings that stood out to you on the show, send me a screenshot and I’ll try to find out it’s history and include it in another post!
This week’s ANI-reality comes from episode 4 of Kiss Him, Not Me! “Christmas in the Holy Land.” Our protagonist, Kae takes her reverse harem out to the “Comiket”, a real convention on this site held in Tokyo. It’s also featured really quickly in the opening of the show as well:
Often called Tokyo Big Sight, it’s official name is the Tokyo International Exhibition Center, designed by the architecture firm AXS Satow. Built in 1995, it is the largest convention and exhibition hall for the entire country. It’s prominent features are the inverted pyramids on a support structure.. These shapes house the conference tower. There are two other exhibition wings (the east and west) – but the conference tower is the more monumental and iconic symbol for this convention center.
This building located in Tokyo Bay on a small man-made island known as Odaiba. This island has quite a bit of history to it; built in the Edo period to house multiple small forts (daiba = fort) to protect Tokyo from any attacks from the sea. This use was abandoned it was later developed with shopping centers and some hotels and a park. This seems to be an attempt to new urban plan within Tokyo. A train line was fitted to loop through the island. Soon Odaiba became a popular tourist spot. This island houses a few of Japan’s bold Architectural statements. Another prominent feature of Odaiba is the 1:1 scale model of a a Gundam statue – it’s pretty impressive and pretty freaking cool. I managed to take a bunch of photos of this when I went to explore Odaiba on my own.
Tokyo Big Sight’s Map Location & Directions:
To get to the site, you’ll have to take a separate train from the Tokyo Metro. It costs a bit more to use it, and is much much smaller than your usual Tokyo subway. It’s about a 30 minute train ride from Tokyo Station. So from Tokyo station, take the Yurakucho shin-kiba line to the Toyosu station, and from there hop on the Yurikamome – Shimbashi line to the Kokusai-tenjijo-seimon Station. Its about a 10 minute walk to the building from there.